1 00:01:44,200 --> 00:01:46,000 I'll call him, the darlings are not not there yet. 2 00:01:46,420 --> 00:01:47,560 The plane is taking off delay. 3 00:01:56,520 --> 00:01:59,740 Jean, make love to me. 4 00:02:01,300 --> 00:02:04,440 My darlings won't be long, they will arrive at any moment. 5 00:02:07,480 --> 00:02:08,480 Make me laugh. 6 00:02:18,330 --> 00:02:19,590 John, make me love you. 7 00:03:22,120 --> 00:03:23,600 We are your new tenants. 8 00:03:25,360 --> 00:03:26,780 Good evening, this is Lady Winter. 9 00:03:28,500 --> 00:03:29,500 Good evening. 10 00:03:29,880 --> 00:03:32,060 I hope you will stay in this house. 11 00:03:32,500 --> 00:03:33,660 We hope so too. 12 00:03:35,060 --> 00:03:36,500 Come, I'll show you your fields. 13 00:03:55,980 --> 00:03:58,380 How did you find our island? Wonderful. 14 00:03:59,040 --> 00:04:00,940 Can I sit next to you? I please. 15 00:04:05,340 --> 00:04:08,240 But what is your husband doing at the moment? Oh, he's taking a bath. 16 00:04:12,140 --> 00:04:15,100 You are the kind of man who makes us make crowds. 17 00:04:16,899 --> 00:04:18,220 But that doesn't matter. 18 00:04:27,950 --> 00:04:29,370 You have very soft skin. 19 00:05:47,950 --> 00:05:49,350 Voilà, 20 00:05:51,070 --> 00:05:52,070 oui. 21 00:06:10,540 --> 00:06:12,600 I'm starting to get very excited, now I really want to. 22 00:07:05,260 --> 00:07:06,260 I'm doing well. 23 00:09:26,560 --> 00:09:28,980 THANKS. Thank you. 24 00:09:59,709 --> 00:10:04,550 Nathalie, what have you prepared? for lunch? As usual, the 25 00:10:04,550 --> 00:10:05,550 'inevitable paella. 26 00:10:06,030 --> 00:10:09,650 Did you buy angoste or this poor man's paella? I don't want it anymore 27 00:10:09,650 --> 00:10:10,650 walk. 28 00:10:10,950 --> 00:10:11,950 Thank you Nathalie. 29 00:10:13,590 --> 00:10:15,110 You still look so pretty. 30 00:10:36,680 --> 00:10:39,060 What's happening to you this morning? 31 00:10:39,060 --> 00:10:45,160 You seem very tender. 32 00:10:49,360 --> 00:10:52,340 You know, you want to make love with your grandfather, with the grandfather. 33 00:10:58,580 --> 00:11:01,240 Tell me you like it. 34 00:11:04,380 --> 00:11:05,500 Me that I enjoy. 35 00:13:55,020 --> 00:13:56,020 I'm going out. 36 00:14:01,920 --> 00:14:04,280 It was a special situation yesterday evening. 37 00:14:06,680 --> 00:14:09,060 I saw you impale yourself on my man of trust. 38 00:14:10,040 --> 00:14:11,420 Impale, damn it, what a big word. 39 00:14:11,800 --> 00:14:15,380 Apparently you liked it? You do that often with the men you 40 00:14:15,380 --> 00:14:17,100 meet? Often. 41 00:14:18,780 --> 00:14:20,400 You know, there's a big penis. 42 00:14:21,290 --> 00:14:22,950 You must know something about it. 43 00:14:25,210 --> 00:14:27,070 Can I get you a cigarette? 44 00:14:50,480 --> 00:14:52,860 You know, women are not different either. 45 00:16:13,100 --> 00:16:14,100 Oh ! 46 00:21:45,960 --> 00:21:46,960 Come on, like that. 47 00:21:48,200 --> 00:21:49,200 Again. 48 00:21:54,760 --> 00:21:56,340 Come on, go ahead, right there. 49 00:22:26,639 --> 00:22:28,040 Ouch 50 00:23:00,110 --> 00:23:01,110 Ooh! 51 00:27:20,689 --> 00:27:23,330 Yes. Yes. 52 00:28:22,700 --> 00:28:23,700 Oh ! 53 00:29:21,840 --> 00:29:22,980 She's going to make me play this. 54 00:31:07,169 --> 00:31:12,350 It's good ! 55 00:32:18,000 --> 00:32:24,820 And John? Nathalie? Nathalie 56 00:32:24,820 --> 00:32:29,160 ? Yes yes. 57 00:32:30,460 --> 00:32:32,640 Bring me a clignac. I'll give it to you. 58 00:32:47,310 --> 00:32:48,390 I sent it back to Bande. 59 00:32:49,850 --> 00:32:55,350 For what ? He cared too much about you guests and not enough of you? Like 60 00:32:55,350 --> 00:32:56,350 it is aesthetic. 61 00:32:56,670 --> 00:33:01,170 I find you the most fascinating to... How do you believe that 62 00:33:01,170 --> 00:33:05,790 I would put up with all your whims, your attitudes of a spoiled child, your paisies 63 00:33:05,790 --> 00:33:11,990 regular? Quite simply, because since I met you, more 64 00:33:11,990 --> 00:33:14,250 no man interests me in everything type of that. 65 00:33:19,939 --> 00:33:23,780 Am I in the middle of a domestic scene? No, in the middle of a love scene. 66 00:33:25,620 --> 00:33:26,840 Do you have the dress? 67 00:33:26,840 --> 00:33:34,340 Eh 68 00:33:34,340 --> 00:33:35,340 yes. 69 00:33:35,740 --> 00:33:37,020 I restored the balance. 70 00:33:37,960 --> 00:33:39,260 A look of youth, a look of me. 71 00:33:44,720 --> 00:33:46,120 How well do we know each other in this house. 72 00:34:02,040 --> 00:34:03,480 And when do we have dinner? 73 00:34:03,480 --> 00:34:10,139 It's the same 74 00:34:10,139 --> 00:34:13,139 reinforcement. Well, I'll make you one afternoon parsley. 75 00:34:50,440 --> 00:34:52,320 Ah, that's how it is. 76 00:35:04,940 --> 00:35:06,040 Just good. 77 00:35:42,090 --> 00:35:43,350 Oh, I'm sitting. 78 00:36:54,830 --> 00:36:55,830 It's good. 79 00:41:35,490 --> 00:41:36,490 Or basic. 80 00:43:07,100 --> 00:43:11,140 That's not character! 81 00:43:52,590 --> 00:43:53,770 – FR 2021 subtitling 82 00:48:29,580 --> 00:48:30,580 So it's good. 83 00:49:26,060 --> 00:49:29,280 Well, the situation gets complicated every moment. 84 00:49:30,020 --> 00:49:32,160 It's true, it's a situation of your life there. 85 00:49:34,220 --> 00:49:37,180 Well, join in. 86 00:49:38,080 --> 00:49:41,680 Ah, nice of you. 87 00:49:43,860 --> 00:49:45,820 You find your driver, eh? 88 00:49:49,660 --> 00:49:50,920 Here, come do it. 89 00:51:39,020 --> 00:51:40,020 It's time, 90 00:51:40,240 --> 00:51:44,360 there. This is the moment. You took revenge. 91 00:51:46,080 --> 00:51:48,640 It's okay 92 00:51:48,640 --> 00:51:56,420 well, 93 00:51:56,780 --> 00:51:58,460 huh? I'm doing well. 94 00:52:27,120 --> 00:52:31,420 Oh, slowly my daughter, slowly, slowly 95 00:53:22,440 --> 00:53:24,580 What is waste? 96 00:54:02,990 --> 00:54:05,170 You gave me everything. 97 00:54:52,300 --> 00:54:54,820 Get off your ass! Get off your ass! 98 00:54:58,360 --> 00:55:00,060 Put it back on, go ahead, move your ass forward. 99 00:55:00,360 --> 00:55:01,360 Like that. 100 00:55:05,680 --> 00:55:07,320 Penetrate yourself, penetrate yourself. 101 00:55:08,980 --> 00:55:09,980 Penetrate yourself. 102 00:55:10,660 --> 00:55:12,580 Go ahead, move your ass forward. 103 00:58:12,780 --> 00:58:17,620 The Lord God, with the rib removed from man, created a woman and took her to 104 00:58:17,620 --> 00:58:18,620 man. 105 00:58:19,060 --> 00:58:22,540 Then he exclaimed, this time it's flesh of my flesh. 106 00:58:23,540 --> 00:58:27,220 This will have the man's name because that it was extracted from man. 107 00:58:28,720 --> 00:58:33,420 This is why man gives up father and mother and unites with the woman and the 108 00:58:33,420 --> 00:58:34,740 two become one flesh. 109 00:58:35,340 --> 00:58:39,380 But with the union of the flesh, man also experienced the voluptuousness of pleasure, the 110 00:58:39,380 --> 00:58:40,600 unbridled desire to enjoy it. 111 00:58:40,830 --> 00:58:43,890 And when imagination is integrated into the desire to enjoy and that we join the 112 00:58:43,890 --> 00:58:46,350 summit of passion, we arrive at the depravity. 113 00:58:47,170 --> 00:58:48,310 Depravity. 114 00:58:48,810 --> 00:58:52,930 Kraft Elling, the eminent psychiatrist, writes “Any manifestation of impulse 115 00:58:52,930 --> 00:58:57,090 sexual activity that does not meet the purpose of nature, that is to say procreation, 116 00:58:57,250 --> 00:58:58,250 is perverse. 117 00:58:58,670 --> 00:59:03,550 » This film only wants to help you heal your faults and understand those 118 00:59:03,550 --> 00:59:04,550 of others. 119 00:59:12,840 --> 00:59:16,660 In a psychopathology text sexual, we find that the world 120 00:59:16,660 --> 00:59:22,080 primitive is not the only one to be full ceremonies based on sexuality and 121 00:59:22,080 --> 00:59:26,300 that even in the domain of perversions sexual, there are no limits 122 00:59:26,300 --> 00:59:27,420 in the human adventure. 123 00:59:34,480 --> 00:59:39,380 Melinda, 24 years old, transsexual, a authentic hermaphrodite, says 124 00:59:39,380 --> 00:59:40,800 extremely satisfied. 125 00:59:41,150 --> 00:59:45,130 or satisfied with its condition and ensures want to live the ambiguous role intensely 126 00:59:45,130 --> 00:59:46,470 of man-woman. 127 00:59:48,570 --> 00:59:52,470 Many men have relationships with me and have never been scandalized for 128 00:59:52,470 --> 00:59:57,010 that. On the contrary, they seem to get excited many by having relations with a 129 00:59:57,010 --> 00:59:58,010 man-woman. 130 00:59:58,310 --> 01:00:00,750 I don't often practice pederasty passive. 131 01:00:01,190 --> 01:00:03,970 Sometimes I pay a few whores for make me masturbate. 132 01:00:04,170 --> 01:00:06,150 I feel great pleasure from it. 133 01:00:18,160 --> 01:00:21,640 A rich Mexican paid $50,000 to come with me. 134 01:00:23,080 --> 01:00:24,380 Which we did. 135 01:00:26,180 --> 01:00:27,260 Try to imagine it. 136 01:00:34,580 --> 01:00:38,040 Guémenia, Lubanguichari region, Equatorial Africa. 137 01:00:42,080 --> 01:00:45,180 This man was caught in the act crime of adultery. 138 01:00:45,580 --> 01:00:48,300 with one of the wives of Muxli, the sorcerer of the village. 139 01:00:50,100 --> 01:00:55,160 In Gueménia, adultery is punished by horrible death, emasculation. 140 01:02:54,250 --> 01:02:57,610 Tokyo. Professor Shemada's team is in the process of carrying out a 141 01:02:57,610 --> 01:03:00,590 very bold intervention, a sex change. 142 01:03:05,450 --> 01:03:09,870 Thanks to these interventions, hundreds people around the world are changing 143 01:03:09,870 --> 01:03:10,870 sex. 144 01:03:22,470 --> 01:03:27,720 From now on, ex-men become women and ex-wives who have become men are in 145 01:03:27,720 --> 01:03:28,860 able to procreate. 146 01:03:49,660 --> 01:03:54,810 Singapore. A rich Japanese merchant... wanted to recreate for the use of tourists 147 01:03:54,810 --> 01:03:56,250 well-off people an authentic home.